By Norma Manatu
This paintings makes a speciality of the sexual objectification of African American ladies in movie from the Eighties to the early 2000s. Critics of the unfavorable sexual imagery have lengthy speculated that regulate by means of African American filmmakers may switch how African American ladies are depicted. This paintings examines 16 movies made by way of men either white and black to work out how the imagery may possibly range with the race of the filmmaker. 4 dimensions are given targeted realization: the range of the women's roles and relationships with males, the sexual attitudes of the African American girl characters, their attitudes in the direction of males, and their nonverbal and verbal sexual behaviors.
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Additional info for African American Women and Sexuality in the Cinema
Diawara (1993) argues that a primary reason a mostly white cast was featured in the film was to protect the purity of white womanhood on the set. This fear, of course, centered around widely held beliefs about the black male’s insatiable appetite for white women’s bodies. A second, perhaps more sinister reason is furnished by Modleski (1991). She notes that from its inception, it has been the tendency of film to cast white people in blackface in order to suggest that “blackness may be so monstrous it can only be signified but not directly represented” (p.
Culture ( Jowett & Linton, 1980, p. 109). As we have seen, it is generally thought that members of the mainstream cultural group are likely to share in the beliefs, attitudes, and dreams of that particular culture (Wolfenstein & Leites, 1950; Jowett & Linton, 1980). It is also the case that many, if not most, members of marginalized groups likewise share, at least on a subconscious level, the beliefs, attitudes, and dreams of the dominant culture (Frazier, 1957; hooks, 1992, 1995; Yamato, 1998).
Not only a bad girl, she was capable of bringing “white males to manhood” (pp. 228–229). In fact, save for the “Mammy” and “Aunt Jemima” images, the “tragic mulatto” was the only image of black women found on screen prior to the 1970s. Bogle (1989) asserts that being closest both in color and features to the white beauty ideal, the tragic mulatto generally had a chance at lead roles. Dark- 1. Introduction and Overview 23 skinned actresses, however, were “considered for no [filmic] role but that of a mammy or an Aunt Jemima,” a practice which continued well into the 1960s (p.
African American Women and Sexuality in the Cinema by Norma Manatu