Larry Sitsky's Australian Piano Music of the Twentieth Century PDF

By Larry Sitsky

ISBN-10: 0313322864

ISBN-13: 9780313322860

This can be the 1st e-book to comprehensively disguise the entire Australian piano track of the 20 th century. it truly is lavishly illustrated with over three hundred tune examples, giving a truly transparent photo of some of the composers and kinds. The composers are indexed inside of a number of historic and stylistic blocks in addition to inside of attention in their personal pianistic prowess. the massive variety of rankings can assist destiny researchers in addition to recording and live performance pianists who're looking for new and intriguing repertoire.

This is a useful ebook sure to entice song fanatics, the pro musician and beginner, and scholars. actually, a person attracted to the piano and its historic evolution will get pleasure from this quantity.

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Additional resources for Australian Piano Music of the Twentieth Century

Example text

Opening. A series of descending chords constitutes the second seminal idea: Part 1: The First Generation 25 Ex. 29:1. R. Agnew. Sonata Poème. bars 32-37. And a bell-like repeated figure is the third important motive: Ex. 30:1. R. Agnew. Sonata Poème. bars 41-45. The rest is rhythmic and intervallic transformation. Agnew is already heading towards greater economy, depending on inversions, rhythmic transformations and semiotic techniques for cohesion. The Sonata Ballade was written in January of 1938 and dedicated to the composer and pianist Frank Hutchens.

27) The two could easily be bracketed together in a recital. The Song of the Moonbeam (19/11/24) also belongs in this class of miniatures; it consists of a freely melodic line in the left 16 Australian Piano Music of the Twentieth Century hand with a G#/A pedal serenely floating over it throughout the duration of the one page. 5 is a strange, troubled piece built of augmented chords floating without resolution, in atmosphere like a late Liszt piece. 3 and 4 are lost, which is a shame; but the first two, which are extant, are early and not really characteristic of the mature composer.

They, too, appear as interesting and worthwhile pieces that should be rescued from oblivion. The manuscript suggests that some of these were initially just 'Preludes' and subsequently the word 'Ballet' or 'Dance' was added to the title. 4 is also designated a Valse. A few have been neatly copied and were perhaps performed. Some have fingering added. 12 is a Doll's Chorus. 14, 15 , 19 and 30 have the word 'Nature' added at the top. Perhaps a series of 'Nature' pieces was originally intended? 17 is a Waltz, an essay in bitonality combining E major and Eb major, including the final cadence.

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Australian Piano Music of the Twentieth Century by Larry Sitsky

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